Luke Abbott相似歌手
| 基本信息 | |||
|---|---|---|---|
| 姓名 | Luke Abbott | 别名 | 暂无 |
| 国籍 | 美国 | 出生地 | |
| 语言 | 性别 | 男 | |
| 生日 | 星座 | ||
| 身高 | 体重 | ||
详细介绍
Luke Abbott is an English electronic music producer from Norwich, Norfolk, with releases on Output Recordings, Trash Aesthetics and James Holden's Border Community label,
In 2012, Abbott was in residence at Wysing Arts Centre where he produced a site specific composition which is now in the grounds of the art venue
Welcoming the wonderful Luke Abbott to the Notown label for his “Modern Driveway” 12″ vinyl and digital release!
The slow burning success of Norwich-based producer Luke Abbott’s 2010 LP Holkham Drones was apt in multiple ways, both in the word-of-mouth nature in which its reputation spread – reflective of the music itself, which in its chameleonic electronica revealed layers-on-layers with each rewarding listen.
Receiving praise across the spectrum from the likes of Mojo (One of their Electronica Albums of 2010), The Guardian, NME, the dance press, The Wire, Resident Advisor and Drowned In Sound – Abbott has resisted the urge to cash in on his rise in popularity. It’s something he certainly could do given that, as he admits, “making music has become a part of my day-to-day life, like eating or sleeping, I write an awful lot at home;” instead, though, the he deals in complete wholes, juxtaposing a sense of aural freedom atop considered thought processes.
In 2012, Abbott was in residence at Wysing Arts Centre where he produced a site specific composition which is now in the grounds of the art venue
Welcoming the wonderful Luke Abbott to the Notown label for his “Modern Driveway” 12″ vinyl and digital release!
The slow burning success of Norwich-based producer Luke Abbott’s 2010 LP Holkham Drones was apt in multiple ways, both in the word-of-mouth nature in which its reputation spread – reflective of the music itself, which in its chameleonic electronica revealed layers-on-layers with each rewarding listen.
Receiving praise across the spectrum from the likes of Mojo (One of their Electronica Albums of 2010), The Guardian, NME, the dance press, The Wire, Resident Advisor and Drowned In Sound – Abbott has resisted the urge to cash in on his rise in popularity. It’s something he certainly could do given that, as he admits, “making music has become a part of my day-to-day life, like eating or sleeping, I write an awful lot at home;” instead, though, the he deals in complete wholes, juxtaposing a sense of aural freedom atop considered thought processes.
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