One of the great soul singers, Gladys Knight was a performer from her childhood years, forming the Pips with her brother Merald and a couple cousins. They made the Top Ten in 1961 with the heavily doo wop-influenced Every Beat of My Heart, and recorded some fine, nowadays overlooked pop-soul sides for the Fury and Maxx labels in the early and mid-60s, sometimes under the direction of songwriter Van McCoy. A couple singles from this period, Letter Full of Tears and Giving Up, made the Top 40, but Knight didnt hit her commercial stride until she moved to Motown in 1966. Steeped in the gospel tradition, like so many soul singers, Knight & the Pips developed into one of Motowns most dependable acts, although they never quite scaled the commercial or artistic heights of fellow stars on the label like the Supremes, Marvin Gaye, and the Temptations. With Norman Whitfield providing the production and much of the songwriting, the Pips fit into the mainstream of Motowns machine well, scoring big hits with some rabble-rousers (like Friendship Train and the original version of I Heard It Through the Grapevine), mainstream midtempo soul (It Should Have Been Me and The End of Our Road), and smooth ballads like If I Were Your Woman.