by Kieran McCarthy
El-P, aka El Producto, is one of hip-hops most obstinate and adventurous pioneers, combining a lo-fi old-school aesthetic with a progressive rock musicians inclination to push boundaries. He has never succumbed to the demands of corporate rap, instead choosing to pursue his own decidedly non-commercial direction. In the mid-90s, he developed a strong reputation with the groundbreaking trio Company Flow, a band whose achievements include El-P-produced LP Funcrusher Plus on Rawkus Records, a label considered by many one of the best for intelligent hip-hop. Over the groups auspicious stint together, he proved he was himself capable of intense lyricism as well as sonic production so powerful it could stand on its own. In the latter part of the 90s, El-P was also a collaborator with Blackalicious, Mos Def, and Dilated Peoples.

In 2001, after releasing one last album with Harlem rappers Cannibal Ox, the group chose to amicably pursue their own directions. El-P then started his own label, Def Jux — later renamed Definitive Jux to avoid a suit from Def Jam. Between label operations and work on a proposed solo album from former Rage Against the Machine frontman Zack de la Rocha, he found the time to work on his own solo release, Fantastic Damage, which saw the light of day in May 2002. A critical masterpiece, it was followed by a real change-up, 2004s High Water, which was part of the Matthew Shipp-curated Blue Series and teamed the producer with Shipp, William Parker, and others from the fringe of jazz. Collecting the Kid, a collection of unreleased and hard-to-find tracks, appeared later that year. After nearly four years of work, El-P released his second proper production album, Ill Sleep When Youre Dead, featuring contributions from the Mars Volta, Trent Reznor from Nine Inch Nails, and even Cat Power.