by Mark DemingDave Alvin helped to kick-start the American roots rock scene in the early 80s with the band the Blasters and has since gone on to a career as a solo performer, songwriter, producer, and sideman thats been as well respected as it is eclectic. Born in Downey, CA, in 1955, Alvin was raised by a family of music fans, and as teenagers Dave and his older brother Phil immersed themselves in blues, rockabilly, and vintage country sounds, collecting rare records and attending nightclub performances by the likes of T-Bone Walker, Big Joe Turner, and Lee Allen. Like many fans, the Alvin brothers wanted to play music influenced by the sounds they loved, and in 1979 the formed the Blasters with fellow Downey residents Bill Bateman and John Bazz. Combining the revved-up energy of punk rock with an enthusiastic embrace of classic American sounds, the Blasters became a sensation in Los Angeles and won an enthusiastic cult following across the United States and Europe. However, the Blasters were unable to translate their critical respect and enthusiastic fan base into mainstream success, and in 1986, Dave left the band. Phil Alvin continued to front various lineups of the Blasters, and in 2002 Dave joined forces with Phil, Bill Bateman, and John Bazz for a short series of Blasters reunion shows. While playing with the Blasters, Alvin had already displayed a broad range of enthusiasms with two side projects, Chris D.s literate goth-punk collective the Flesh Eaters and the Knitters, an acoustic ensemble in which Alvin performed vintage country and folk numbers with John Doe and Exene Cervenka of X. Shortly after leaving the Blasters, Alvin joined X as lead guitarist after the departure of Billy Zoom; however, Alvin amicably left the group to work on a solo project shortly after the recording sessions for their album See How We Are. Alvins first solo album, entitled Romeos Escape in the United States and Every Night About This Time in England, added a purer country influence along with a larger side portion of the blues; while the album was critically well received, it didnt fare well in the marketplace, and Alvin was dropped by his American record label, Columbia. Alvin suffered health problems which sidelined him for a while, except for a wild tour with friends Mojo Nixon and Country Dick Montana as the Pleasure Barons, which was described as a Las Vegas revue from acts who arent going to be asked to play Vegas. (A live album was released of a second Pleasure Barons tour in 1993.) In 1989, Dwight Yoakam scored a hit on the country charts with Alvins song Long White Cadillac, and Alvin used the royalties to start work on his second solo set, Blue Blvd. Released by the California-based roots-music label Hightone Records, Blue Blvd received enthusiastic reviews and sold well enough to re-establish Alvin as a significant artist in the roots rock scene. After releasing Museum of Heart in 1993, Alvin began to turn his attention to acoustic music with 1994s King of California, and over the next several years Alvin moved back and forth between hard-edged roots rock and more introspective acoustic material that still honored his influences (and allowed him to display a greater range as a vocalist). In 2000, Alvin recorded a collection of traditional folk and blues classics, Public Domain: Songs from the Wild Land, which earned him a Grammy award for Best Contemporary Folk Album. In 2004, Alvin signed with the upstart roots rock label Yep Roc Records, which released his album Ashgrove, a low-key but hard-edged set of blues and rock. It was followed in 2006 by West of the West.When not busy recording his own music, Alvin has also worked as a producer for several other roots-oriented acts, including Tom Russell, the Derailers, and Big Sandy & His Fly-Rite Boys, as well as collaborating with rockabilly legend Sonny Burgess. As a sideman, Alvin has recorded sessions with the likes of Ramblin Jack Elliott, Little Milton, Katy Moffatt, and Syd Straw.