钢琴手克拉克是位英年早逝的爵士乐手，短暂的音乐生涯最重要的记录就是这张唱片。他生活过得并不如意，但这些困顿挫折从音乐中几乎听不出来，琴键中流动出来的，依然还是昂首阔步的冷静自信。Like Fats Navarro and Charlie Parker before him, Sonny Clarks life was short but it burned with musical intensity. Influenced deeply by Bud Powell, Clark nonetheless developed an intricate and hard-swinging harmonic sensibility that was full of nuance and detail. Regarded as the quintessential hard bop pianist, Clark never got his due before he passed away in 1963 at the age of 31, despite the fact that it can be argued that he never played a bad recording date either as a sideman or as a leader. Known mainly for seven records on the Blue Note label with a host of players including such luminaries as John Coltrane, Art Farmer, Donald Byrd, Jackie McLean, Hank Mobley, Art Taylor, Paul Chambers, Wilbur Ware, Philly Joe Jones, and others, Clark actually made his recording debut with Teddy Charles and Wardell Gray, but left soon after to join Buddy DeFranco. His work with the great clarinetist has been documented in full in a Mosaic set that is now sadly out of print. Clark also backed Dinah Washington, Serge Chaloff, and Sonny Criss before assuming his role as a leader in 1957. Clarks classic is regarded as Cool Struttin but each date he led on Blue Note qualifies as a classic, including his final date, Sonnys Crib with John Coltrane. And though commercial success always eluded him, he was in demand as a sideman and played dozens of Alfred Lion-produced dates, including Tina Brooks Minor Move. Luckily, Clarks contribution is well documented by Alfred Lion; he has achieved far more critical, musical, and popular acclaim than he ever did in life.