by Richie Unterberger
Influenced by psychedelia and California rock, pop/rock producer Curt Boettcher (the Association) decided to assemble a studio supergroup who would explore progressive sounds in 1968. Millenniums resultant album would find no commercial success and only half-baked artistic success, but nonetheless retains some period charm. Influenced in roughly equal measures by the Association, the Mamas and the Papas, the Smile-era Beach Boys, Nilsson, the Left Banke, and the Fifth Dimension, Boettcher and his friends came up with a hybrid that was at once too unabashedly commercial for underground FM radio and too weird for the AM dial. It would have fit in better on the AM airwaves, though; the almost too-cheerful sunshine harmonies and catchy melodies dominate the suite-like, diverse set of elaborately produced 60s pop/rock tunes.