One of the last discoveries on Sam Phillips legendary Sun label, piano player Carl Mann was best known for his rockabilly reworking of the Nat King Cole pop standard Mona Lisa. That million-selling hit positioned him as something of a softer, smoother Jerry Lee Lewis, possessed of a crooners instincts and a velvety vibrato. Unfortunately, Mann was never able to land another hit on the level of Mona Lisa, despite waxing a fair amount of high-quality rock & roll. Like many early rock vets, he eventually moved into country music when the rockabilly market dried up, but never successfully established himself in that arena, and gradually drifted out of music.

Carl Mann was born in Huntingdon, TN, on August 22, 1942. He grew up in a strongly rural area, where his family ran a lumber business, and fell in love with country music as a child. He began singing in church at age nine and soon moved on to performing country songs at area talent contests. He learned guitar at age ten, and piano at 13, by which time hed already become a regular on local radio. He also formed a band with several other young musicians, and soon took an interest in the R&B and rockabilly records that some of his DJ friends played on the radio, especially those of Elvis Presley. In 1957, Mann successfully auditioned for the Jaxon label and cut his debut single, Gonna Rock and Roll Tonight b/w Rockin Love; those sides marked his first collaborations with guitarist Eddie Bush, who would become an important member of Manns band, and assisted him on his rearrangement of Mona Lisa. Mann cut several more unreleased sides for Jaxon over the next year, and caught a break when Carl Perkins drummer Bill Fluke Holland offered to become his manager. Holland brought Mann to Sun Records in 1959, and Sam Phillips signed him to a three-year deal. Mann cut his take on Mona Lisa early that year, and while Phillips wasnt keen on releasing it as a single, Conway Twitty heard the demo tape and quickly cut his own version, which began climbing the charts. Phillips hurriedly issued Manns, which battled Twittys all the way up the pop charts. Both hit the Top 30, and while they tended to cancel each other out in terms of placement, Manns wound up selling over a million copies; and he wasnt even 17 years old.