Bogdan makes the transition from experimental productions to dance music seem like child’s play. His artistic development is noticeable both in his own productions and in the hallucinating club nights the he manages to kick off. In 2007, Bogdan releases the album “Angular Momentum”. His raw sound, collapsed into tridimensional volumes acts as a warning for the audio metamorphosis just around the corner. “Harmonies Within Repetitive Structures”, Bogdan's second album released in 2008, leaves raw experimental sound in favor of the sublime. The contrast between the strict serialist principles used and the warm, emotional timbre that Bogdan manages to display give us the best Romanian ambient album to date. After the subsequent positive reviews, Bogdan starts to explore the emotional side of music even more, this time he goes after dance music. In 2009 he surprises us with a wave of balearic edits and a superb opening live for Lindstrom at the Rokolectiv 2009 festival, released by the Romanian label Local Records in June 2010. In September 2009, we find him again at the National Museum Of Contemporary Art, opening up for Byetone. His live is a true journey into his experimental beginnings and quenches your thirst for the contemporary. In June 2010, Bogdan lights the fuse for local Romanian sound with another change in style - a cosmic techno hybrid. 4/4 dancing with a disco heart, it's an album that tells the story of dance in zero gravity.