Barry White(1944 年9月12 日- 2003 7月4 日) 是美国歌手对许多命中灵魂和迪斯科歌曲的创作。他指挥爱无限的乐队, 包括活音乐家, 包括串和撞击声球员。纪录以White's 深刻的低音声音和和蔼交付为特色由夫妇经常使用希望创造浪漫气氛。他经常富感情地指"Maestro" 并且Love" "Walrus; 。White's 音乐所有包含记录销售与选拔, 册页, 编辑用法并且被支付的数字式下载作为歌手、歌曲作者和生产商现在超出100 百万全世界。　

Barry White在上个世纪70年代让灵歌成为了真正的流行音乐，是他让灵歌与“流行”这个词挂上了钩，让人们知道灵歌唱片也可以卖出百万张。Barry White富有磁性、低沉、性感的嗓音，在60年代开始就令全球歌迷沉醉其中。在70年代他拥有一连串销量百万的单曲，被称之为70年代的黑人音乐领袖。
Barry White在上个世纪70年代让灵歌成为了真正的流行音乐，是他让灵歌与“流行”这个词挂上了钩，让人们知道灵歌唱片也可以卖出百万张。Barry White富有磁性、低沉、性感的歌喉，在60年代开始就令全球歌迷沉醉其中。在70年代他拥有一连串销量百万的单曲，被称之为70年代的黑人音乐领袖。“I'm Gonna Love You Just A Little More Babe”，宝贝我将多爱你一点，这是他1972年的热门金曲。
Barry White曾经与3位女歌手组建过一支叫做“Love Unlimited”（爱无止尽）的演唱组合，又创造了多首世界性的热门歌曲。我们非常熟知的萨克斯演奏家Kenny G在17岁刚刚登台表演时就是在Barry White和Love Unlimited的伴奏乐队里。Barry White的声音，用句已经不时髦然而非常贴切的方式来形容，就是“丝绸般的”。在一首“Love's Serenade（爱的小夜曲）”中，那种声音本身就让人无法抗拒。
灵魂乐动人与否完全取决于歌者在演唱歌曲时能否百分百自然且真性情的浸淫于歌曲的情境中，而Barry White正是如此，迷人而独特的嗓音一直到今天都难以超越。“Let The Music Play”是他1977年的热门歌曲，去年2003年的7月4日，Barry White因肾衰竭病逝，享年58岁，一时间全美的电台都在不断播放他的歌曲，以表达对这位“爱情医生”的敬意。
Say the name Barry White and youd be hard pressed to follow it with the name of any other recording artist with such a huge, cross-sectional following. He was at home appearing on Soul Train, guesting with a full band on The Today Show, and appearing in cartoon form in various episodes of The Simpsons. During the 70s, Dinah Shore devoted a full hour of her daily syndicated Dinah! show to White. While there was a period where Barry White wasnt releasing records or making the pop charts, he did stay active touring and appearing on other artists records including Quincy Jones The Secret Garden (The Seduction Suite), Regina Belle, and rap star Big Daddy Kanes All of Me. Its surprising to find out that such an illustrious career almost didnt happen because White wasnt interested in being a recording artist.
Born in Galveston, TX, Barry White grew up singing gospel songs with his mother and taught himself to play piano. Shortly after moving from Texas to South Central Los Angeles, White made his recording debut at the tender age of 11, playing piano on Jesse Belvins Goodnight My Love. He made his first record when he was 16 with a group called the Upfronts. The song was called Little Girl on a local L.A. label called Lummtone Records. Later he worked for various independent labels around Los Angeles, landing an A&R position with Bob Keane, the man responsible for the first pop recordings by Sam Cooke. One of his labels, Mustang, was hot at the time with a group called the Bobby Fuller Four in 1966. White was hired for 40 dollars a week to do A&R for Keanes family of labels: Del-Fi, Mustang and Bronco. During this time, White flirted with the idea of being a recording artist, making a record for Bronco called All in the Run of a Day. But he chose to stick with his A&R duties. One of the first groups he worked with was the Versatiles who later changed their name to the 5th Dimension. Whites first big hit came from an artist familiar to dancefloor denizens — Viola Wills, whose Lost Without the Love of My Guy went Top 20 R&B. His salary went up to 60 dollars a week. White started working with the Bobby Fuller Four. Bob Keene and Larry Nunes — who later became Whites spiritual advisor and true friend — wanted to cut a female act. White had heard about a singer named Felice Taylor. They had three hit records, It May Be Winter Outside, Im Under the Influence of Love, and I Feel Love Coming On. They were huge hits in England. White started making 400 dollars a week.
When Bronco went out of business, White began doing independent production. Those were some lean times for White. Veteran arranger Gene Page, who would later arrange or co-arrange Whites hits, helped him out, giving him work and non-repayable loans. Then three years later, Paul Politti, who also worked at Bronco, contacted him to tell him that Larry Nunes was interested in starting a business with him. Nunes had started cutting tracks for a concept album he was working on. Meanwhile, White had started working with this girl group who hadnt done any singing professionally. They rehearsed for almost a year. White wrote Walkin in the Rain (With the One I Love) with lyrics that were inspired by conversations with one of the singers, Glodean James (who would later become Whites second wife). White christened the group Love Unlimited.
Larry Nunes took the record to Russ Regan, who was the head of the Uni label owned by MCA. Love Unlimiteds From a Girls Point of View became a million-seller. Soon after, Regan left Uni for 20th Century Records. Without Regan, Whites relationship with Uni soured. With his relationship with Uni in chaos and Love Unlimited contract-bound with the label, White decided he needed to work with another act. He wanted to work with a male artist. He made three song demos of himself singing and playing the piano. Nunes heard them and insisted that he re-record and release them as a recording artist. They argued for days about it. Then he somehow convinced White to do it. White was still hesitating up to the time the label copy was made. He was going to use the name White Heat, but the record became the first Barry White album. That first album was 1973s Ive Got So Much to Give on 20th Century Records. It included the title track and Im Gonna Love You Just a Little More Baby.
White got a release from Uni for Love Unlimited and they joined him over at 20th Century Records. Then he had a brainstorm for another concept album. He told Regan he wanted to do an instrumental album. Regan thought he had lost it. White wanted to call it the Love Unlimited Orchestra. The single, Loves Theme, went to number one pop, was a million-seller, and was a smash all over the world. The song earned him a BMI award for over three million covers.
For the next five years, from 1974 to 1979, there was no stopping the Barry White Hit Train — his own Stone Gon, Barry White Sings Love Songs for the One You Love (Its Ecstasy When You Lay Down Next to Me, Playing Your Game Baby), Let the Music Play (title track, You See the Trouble with Me), Just Another Way to Say I Love You (Ill Do for You Anything You Want Me To, Love Serenade), The Man (Your Sweetness Is My Weakness, Sha La La Means I Love You, September When We Met, a splendid cover of Billy Joels Just the Way You Are), and Love Unlimiteds In Heat (I Belong to You, Move Me No Mountain, Share a Little Love in Your Heart, and Loves Theme, with lyrics). He also scored a soundtrack for the 20th Century Fox film The Together Brothers, enjoying a resurgence on home video.
His studio band included such luminaries as guitarists Ray Parker, Jr. (pre-Raydio, co-writer with White on You See the Trouble With Me), bassist Nathan East, Wah Wah Watson, David T. Walker, Dean Parks, Don Peake, bassist Wilton Felder of the Crusaders, Lee Ritenour, drummer Ed Greene, percussionist Gary Coleman, and later keyboardist Rahn Coleman. His hit streak seemed, well, unlimited. Then it all derailed. Russ Regan and another ally, Hosea Wilson, left 20th Century Records and White was left with management that he thought of in less than glowing terms.
White left after fulfilling his contract with two more album releases, Love Unlimited Orchestras My Musical Bouquet and his own I Love to Sing the Songs I Sing. White signed a custom label deal with CBS Records. At the time it was touted as one of the biggest deals ever. He started a label called Unlimited Gold. The roster included White, Love Unlimited, the Love Unlimited Orchestra, Jack Perry, and a teenaged singer named Danny Pearson who charted with a song called Whats Your Sign Girl. He also did a duet album with Glodean James called Barry & Glodean. Aside from the gold album The Message Is Love, most of the albums werent huge sellers. After eight Barry White albums, four Love Unlimited albums, four Love Unlimited Orchestra albums, constant touring, and dealing with the rigors of the music industry, White decided to take a break.
Then in 1992, White signed with A&M, releasing the albums The Man Is Back, The Right Night & Barry White, and Put Me in Your Mix (which contains a duet with Issac Hayes, Dark and Lovely). The Icon Is Love became his biggest-selling album since the 70s releases, going multi-platinum. It includes the platinum single Pratice What You Preach. The production lineup includes Gerald Levert and Tony Nicholas, his godson Chuckii Booker, Jimmy Jam and Terry Lewis, and White and his longtime friend Jack Perry. While some later efforts buried his vocals in whiz-bang electronic effects, on The Icon Is Love, Whites deep steam engine baritone pipes are upfront in the mix. Staying Power followed in 1999, showcased in the best tradition of soul music where the focus is the singer and the song. The album earned White two Grammys. Whites career took him from the ghetto to international success with 106 gold and 41 platinum albums, 20 gold and ten platinum singles, with worldwide sales in excess of 100 million.
White, who suffered from hypertension and chronic high blood pressure, was hospitalized for kidney failure in September of 2002. He was undergoing dialysis treatment, but the combination of illnesses proved too much and he died July 4, 2003 at a West Hollywood hospital. By the time of his death, Barry White had achieved a near-universal acclaim and popularity that few artists achieve and even fewer within their own lifetime.