德国黑暗电子歌特 Unheilig，基本是走的传统路线，电子主调+交响男低嗓，轻车熟路，器乐的铺垫然后是人声的释放、深入煽情然后器乐、人声爆发，转折和承接自然……主唱的嗓音比较有磁性，演绎起来特别吸引人。 来自德国的黑暗电子/歌特工业团体 Unheilig，应该说有着非常明显的德式风格特征，那副苍桑浑厚的嗓子就能给人非常强烈的感觉。 这种德式男中音实在太迷人了，听起来磁性十足却丝毫不矫柔做作，轻易便能俘虏人心。有一个说法是──泡MM简直是无往不利的，我也极度赞成这种说法。 其实在德国的乐团里拥有这种嗓子的乐团还是挺多嘀，比如一些典型的德式新民谣团体，还有大多人所知的战车的主唱等。我想也许是跟德语的吐词不清式发音有关，又或者是受德国工业氛围的影响，于是造就了这种典型的迷人德式嗓音。 A German industrial/gothic rock band, Unheilig (which in German means "Unholy") formed in 1999 and quickly released their first single, "Sage Ja!," that same year. Initially signed to Bloodline records, the group (Grant Stevens, José Alvarez-Brill, and Der Graf) followed their debut club hit with a full-length offering in 2001 titled Phosphor. The success of the single and the album helped land the trio slots on their genre's festival circuit, including Zillo Open Air and the Doomsday Festival, but the band would soon find themselves back to work on new studio material, which resulted in 2002's Christmas album, Frohes Fest, and 2003's Das 2. Gebot. The band built on their momentum by releasing another EP in 2003, as well as taking their sound to the audiences of Europe, which led to remixing projects and appearances on video game soundtracks. Their fourth album, Zelluloid, was released in 2004, and the band followed this up with another successful tour, which led to the necessity of a live album. That collection, Gastspiel, hit shops at the start of 2005. A DVD release soon followed, and by 2006, Unheilig was back in the shops with not one but two releases -- a studio record, Moderne Zeiten, and a live offering, Goldene Zeiten. In 2008, Unheilig released their eighth album, Puppenspiel. Festival appearances and tours followed, and Puppenspiel got a re-release as a "touring edition" with bonus tracks.