词、创曲、演唱兼于一身的才华出众的法国流行男歌手Francis Cabrel，早在80年代就以其优美的旋律、抒情的歌词及世故的形象名噪一时；而时值今日，他依然以其具有亲和力的音乐响誉歌坛，不仅在歌手和音乐制作人这些同行中有着极大的知名度，更是在成千上万的法语歌迷心中留有一席之地；他作为众多流行天王、天后中的一员，在整个法语歌坛发展的漫漫征程中起着举足轻重的作用。
by Samuel Johnson
Varied as it is, the music of Francis Cabrel never strays far from his basic songwriting tools: the acoustic guitar and gentle reflections on life. His clear voice and clean guitar are ever the focus of his songs. Around this core he weaves contemporary folk, blues rock, French pop, smooth jazz and even classical sounds. His lyrics have received much attention among French-speaking audiences and critics, and his albums sell well in those circles. His style has also sparked a revival of interest in acoustic music in France. Cabrel's involvement in music began at his lycée (secondary school) in southwestern France. Inspired by Bob Dylan's music, he taught himself to play guitar. He joined up with a group called the Maïna Pub (later changed to Les Virginys) which covered songs by the Beatles, the Rolling Stones, and Jimi Hendrix. The group eventually sublimated, and Cabrel began performing solo and working on his own material. In 1974, he entered a contest for singer/songwriters in the southwest France and walked away with first place. The stated prize was the opportunity to record a 45 single, but the judges were so impressed that they asked him to record an LP instead. The resulting album, Les Murs de Poussière, was released in 1977. Cabrel and his record company were displeased with the sound and success (respectively) of the album, but Cabrel moved to Paris and continued to perform in public. He released his second album, Les Chemins de Traverse, in 1979. The second single from the album, "Je l'aime à mourir," gained the attention of French listeners, and Cabrel became nationally recognized. In the early '80s Cabrel released Fragile (1980), Êrte Postale (1981) and Quelqu'un de l'Intérieure (1983); these albums generated hits and sold well in France. During these years Cabrel built an audience in Quebec also by touring both solo and with a band. Having garnered considerable success with his three previous albums, Cabrel changed his pace and approach in the mid-'80s. He released a live album (Êbrel Public) in 1984, a studio album (Photos de Voyages) in 1985 and a compilation (w-87) in 1987. He moved back to southwestern France, set up his own studio, turned more of his attention to his family, and released albums of new material at a leisurely pace. He continued this pattern in the late '80s and through the '90s with Sarbacane (1989), d'Une Ombre à l'Autre (a 1991 live three-disc set) and Samedi Soir sur la Terre (1994). Each release was greatly anticipated in France and Quebec, and all sold well. The two albums of original material (Sarbacane and Samedi Soir sur la Terre) did particularly well, and each went multi-platinum.