生于费城，被誉为摇滚灵魂之王，同时在乡村音乐上也颇有建树。by Richie UnterbergerWhile Solomon Burke never made a major impact upon the pop audience — he never, in fact, had a Top 20 hit — he was an important early soul pioneer. On his 60s singles for Atlantic, he brought a country influence into R&B with emotional phrasing and intricately constructed, melodic ballads and midtempo songs. At the same time, he was surrounded with sophisticated uptown arrangements and was provided with much of his material by his producers, particularly Bert Berns. The combination of gospel, pop, country, and production polish was basic to the recipe of early soul. While Burke wasnt the only one pursuing this path, not many others did so as successfully. And he, like Otis Redding and Wilson Pickett, was an important influence upon the Rolling Stones, who covered Burkes Cry to Me and Everybody Needs Somebody to Love on their early albums. Burke came by his gospel roots even more deeply than most soul stars. He was preaching at his familys Philadelphia church and hosting his own gospel radio show, even before hed reached his teens. He began recording gospel and R&B sides for Apollo in the mid- to late 50s. Like several former gospel singers (Aretha Franklin, Wilson Pickett), he was molded into a more secular direction when he signed with Atlantic in the 1960s. Burke had a wealth of high-charting R&B hits in the early half of the 60s, which crossed over to the pop listings in a mild fashion as well. Just Out of Reach, Cry to Me, If You Need Me, Got to Get You Off My Mind, Tonights the Night, and Goodbye Baby (Baby Goodbye) were the most successful of these, although, unlike Franklin or Pickett, he wasnt able to expand his R&B base into a huge pop following as well. He left Atlantic in the late 60s and spent the next decade hopping between various labels, getting his biggest hit with a cover of Creedence Clearwater Revivals Proud Mary in 1969, and recording an album in the late 70s with cult soulster Swamp Dogg as producer. In the 1980s and 1990s, Burke became one of the most visible living exponents of classic soul music, continuing to tour and record albums in a rootsy, at times gospel-ish style. Although these were critically well received, their stylistic purity also ensured that their market was primarily confined to roots music enthusiasts rather than a pop audience. His live and later recorded work, however, is a favorite of those who want to experience a soul legend with his talents and stylistic purity relatively intact. Burkes 2002 release Dont Give Up on Me was hailed as a major comeback for the legendary soul man. Great songwriters like Elvis Costello, Dan Penn, Nick Lowe, and Tom Waits contributed songs and Joe Henry produced the album, which has been compared to Johnny Cashs landmark American Recordings. After the critical success of Dont Give Up on Me reaffirmed Burkes status as one of the greatest living exponents of classic soul, the singer teamed up with producer Don Was for Make Do with What You Got, a updated variation on his classic style that was released in spring 2005. A year later, Burke released an interesting country and soul hybrid, Nashville, on Shout! Factory.