详细介绍
Jimmy Page生于1944年一月九日英国的Middlesex,他弹奏双柄电吉他的功力与地位,在摇滚史上是无人可以匹敌的,当他年幼时就对吉他产生浓厚的兴趣,后来他受到猫王Elvis Presley的"Baby, Let's Play House"影响,迷上了摇滚乐。 在六零年代初期,Jimmy Page就开始为无数的乐团录制唱片,包括Carter Lewis & the Southerners , Neil Christian & the Crusaders。而他第一次获得成功的作品是1963年他为 Jet Harris & Tony Meehan的歌曲"Diamonds"弹奏吉他,这首歌排行榜第一名,而他之所以会成为全英国最棒的吉他手,主要关键在于他在1966年加入The Yardbirds,也由于Jimmy Page的加入,在他高超的吉他技巧,使The Yardbirds成名,Jimmy Page与The Yardbirds几乎是划上等号。 1968年夏天,Led Zeppelin成军,由于Jimmy Page的关系,使Led Zeppelin获得空前的成功,而Jimmy Page在Led Zeppelin期间,他的弹奏吉他的曲风变得更多元化,除摇滚外,节奏蓝调,民谣等,都相当成熟,也为Led Zeppelin注入更丰富的音乐特质.
Unquestionably one of the all-time most influential, important, and versatile guitarists and songwriters in rock history is Jimmy Page. Just about every rock guitarist from the late 60s/early 70s to the present day has been influenced by Pages work with Led Zeppelin — his monolithic riffs served as a blueprint for what would eventually become heavy metal, yet he refused to be pigeonholed to any single musical style (touching upon folk, country, funk, blues, and other genres). Page also lent a hand in writing (or co-writing) Zeppelins vast array of classic songs and produced all their albums. Born on January 9, 1944, in Heston, Middlesex, England, Page picked up the guitar at age 13 after being inspired by the Elvis Presley tune Baby Lets Play House, and while he took several lessons, was mostly self-taught. Instead of attending college right after high school, Page decided to join his first real rock band, Neil Christian & the Crusaders, whom he toured England with. But Page fell seriously ill (with glandular fever) and was forced to quit and recuperate. Dejected, Page pondered giving up music and focusing on another interest, painting, as he enrolled at an art college in Sutton, Surrey.
With the emergence of such bands as the Rolling Stones in the early 60s and their gritty blues-rock, Pages interest in music perked up once again — but instead of forming a band right away, he decided to hone his craft by becoming one of Englands top session guitarists and producers. Although the exact specifics of which sessions he was involved with have become hazy over time, its confirmed that he worked with many of the days top acts, including the Who, Them, Donovan, the Kinks, and the Rolling Stones, among others. By 1966, Page was looking to put his session work on hold and join a full-time band; he accepted an offer to play with the Yardbirds (initially as a bassist, then shortly thereafter as a guitarist), as he was paired up with another one of rocks all-time guitar greats, Jeff Beck. Although the Yardbirds began as a straight-ahead blues-rock band, with the inclusion of Page in the lineup, the group began experimenting with psychedelic and hard rock styles.
Despite it being obvious that the Yardbirds were on the downside of their career (Beck left shortly after Page came onboard), Page appeared on the album Little Games and several tours before the band finally called it a day in 1968. With a string of tour dates still set up throughout Europe, Page decided to go through with the shows and put together a new band who was dubbed the New Yardbirds — including longtime session bassist John Paul Jones, plus newcomers Robert Plant on vocals and John Bonham on drums. After the completion of their initial tour, the band changed their name to Led Zeppelin and explored the still largely uncharted territory of hard rock/heavy metal. The band immediately became one of rocks most successful and enduring bands, issuing a string of classic albums from 1969 through 1975 — Led Zeppelin I, Led Zeppelin II, Led Zeppelin III, Led Zeppelin IV, Houses of the Holy, and Physical Graffiti — which spawned such classic rock radio standards as Dazed and Confused, Whole Lotta Love, Immigrant Song, Black Dog, Stairway to Heaven, and Kashmir, as the band also became a must-see live act in the process. Page also found the time to work with folk artist Roy Harper (most notably his 1971 release, Stormcock, under the alias S. Flavius Mercurius). Zeppelin was arguably the biggest rock band in the world by the mid-70s (their influence on other rock bands following in their wake cannot be stressed enough) as they launched their own record company, Swan Song, but it was around this time that Page began dabbling with heroin and other substances, eventually leading to him becoming a full-blown addict by the late 70s/early 80s (as a result, his playing began to suffer). Also, Pages interest in the occult became a concern to those around him (he went as far as purchasing a mansion on the Loch Ness in Scotland that was once owned by renowned Satanist Aleister Crowley).
Zeppelin continued issuing albums until the dawn of the 80s (1976s concert movie/soundtrack The Song Remains the Same and Presence, 1979s In Through the Out Door), but tragedy ultimately derailed the quartet — the death of Plants young son in 1977 and Bonhams alcohol-related death in 1980. After Led Zeppelin decided to call it quits in late 1980, Page disappeared from sight (it became known later on that he hardly touched his instrument for a long time afterward). It wasnt until 1982 that Page began to emerge from his self-imposed exile, as he composed and played on the motion picture soundtracks to Death Wish I and Death Wish II, compiled the Zeppelin outtakes collection, Coda, and took part in the 1983 star-studded A.R.M.S. tour, which saw Page unite with Beck and Eric Clapton for a series of shows that raised money for multiple sclerosis research. In 1984, Page guested alongside Plant, Beck, and Nile Rodgers on the hit EP of rock & roll oldies The Honeydrippers, and formed his first band since the demise of Zeppelin, dubbed the Firm. The group featured former Free/Bad Company vocalist Paul Rodgers, and despite the fact that their self-titled debut was a sizeable hit, the band decided to call it a day shortly after the release of their lukewarm-received sophomore effort, Mean Business.
Zeppelin fans were given a rare treat when their surviving three members reunited (with drummers Tony Thompson and Phil Collins) for the mammoth Live Aid at Philadelphias JFK Stadium in July 1985 — unfortunately handing in an incredibly under-rehearsed, sloppy performance. Zeppelin reunited again in 1988 for the Atlantic Records 25th Anniversary Concert at New Yorks Madison Square Garden (this time Bonhams son, Jason, filled in for his late father behind the kit), and yet again performed another mistake-filled mini set. The same year Page guested on Plants solo release, Now & Zen, as well as issuing his first ever solo recording, Outrider, following it up with a tour that touched upon tracks from all eras of his career. By the early 90s, further rumors of an impending Zeppelin reunion continued to circulate, and after Plant declined an invitation from Page to join forces once again, Page decided to collaborate with former Deep Purple/Whitesnake vocalist David Coverdale, whose vocal style has often been compared to Plants over the years. Pages latest project only lasted a single album, 1993s heavily Zep-like Coverdale/Page, as a proposed world tour was scrapped in favor of just a few select dates in Japan.
In 1994, Plant and Page finally agreed to collaborate once again (although Jones wasnt invited this time), leading to the release of the acoustic set No Quarter the same year, plus a highly popular MTV Unplugged special and sold-out world tour. A year later, Led Zeppelin was inducted into the Rock & Roll Hall of Fame, this being the second time a Page-related band got the nod from the Hall (in 1992, the Yardbirds were honored). 1998 saw Plant and Page issue an album of all-new material, Walking into Clarksdale, which was surprisingly not well received by the public, sinking from sight shortly after its release. The duo went their separate ways by the late 90s, as Page joined the Black Crowes for a tour and live album (2000s Live at the Greek). The same year as the albums release, another Crowes/Page tour was cut short due to a back injury Page suffered. But in June of 2001, Page took to the concert stage alongside Plant to celebrate the 60th birthday of their friend, folk artist Roy Harper.